Annabel's View: The over use of Gill Sans

Variations of Gill Sans

The use of the font Gill Sans divides designers' opinions everywhere.

Personally I find it everywhere I go and therefore think we, as designers, have saturated the world in it, and the world (and I) can't take any more.


 






Where did it come from?
Gill Sans started as a signage font, that Eric Gill painted onto his friend's, Douglas Cleverdon's, bookshop front. He also painted a guide for Cleverdon to use the font in further designs.

Then, in 1928, Eric Gill was commissioned by Monotype Corporation to design Gill Sans. In 1929, Cecil Dandridge commissioned a further version for use by the London and North Eastern Railway (LNER), so they would have a unique typeface. Of course this is not longer the case.

Where is it used?
Monotype themselves used Gill Sans for their own logo, and over the years many iconic designs and well-known companies have adopted the font for their brand or for their published materials. Of those, notably are the BBC, Penguin's book circa 1935, Network Rail, United Colors of Beneton, Tommy Hilfiger, Saab and Philips, and another pet hate of mine, the 'Keep Calm and Carry On' posters.


Created with Admarket's flickrSLiDR.

Other than these, I'm sure as you look around on you on a day to day basis, you may spot Gill Sans everywhere.

Why is it used so commonly?

One of the many uses of Gill Sans

In 1991 Microsoft bought the digitised data copyright for Gill Sans MT, and it became a system font, then a new trend. Since then it has been used prolifically by designers around the world.

My conclusion
Because it saturated our world in the 90s and early 00s my mind can't help but think it feels over-used and old-fashioned now.

We have so many exquisite fonts that we can use, many of Monotype's other fonts are wonderful for both layout and logos. Why don't we update our font collections every now and then, have a spring clean and acquire something new and beautiful and enjoy using something new.

Failing that, there's always Helvetica and Garamond.

Is austerity the new luxury?

An example of the austerity trend from
local jewellery brand, Twopenny Lane.

The financial climate is still tough, and the trends in the economy have been reflected in trends within the packaging industry. Design has been stripped back, muted and simplified, initially to reduce cost in packaging production, but it appears now this has become accepted as 'trendy', but why? Because we think it sits well our price sensitive audience, or conversely, because we think it's the new sign of luxury?








As with everything, there are several sides to this debate. First let's assume that we are designing with the cash strapped economy in mind. Let's suggest that gold still means luxurious and that

Benefit's 'Great Gatsby' inspired collection.

flamboyancy is the way to sell luxury products. Look at The Great Gatsby for example. The Guardian hit the nail on the head when they said that Baz Luhrmann's latest offering is "celebrating opulence". The jewellery for the film was designed by Tiffany, the costumes by Prada, everything about the film screams luxury, and some companies are riding on that wave. Take Benefit cosmetics and their 1920's-inspired limited edition packaging. The luxury cosmetics industry never ditched their metallic, intricately designed boxes, velvet covers and superfluous layers of packaging, for butchers twine and a brown paper bag, yet they are still selling products by the bucket load. They know their products have value and people will pay for it. Fact. So with that said, luxury is the new luxury.

The new Leona Lewis collection from The Body Shop.

So now let's look at another side of the argument. This might be a little controversial, but are we the only ones who think that some of the Benefit packaging looks a little cheap? When you compare it to a brand like The Bodyshop, who have stripped their packaging right back to allow the product to take centre stage, Benefit's packaging just looks a bit much. The Bodyshop have not lost their personality by being more reserved with their designs, they have simply aligned themselves with the austerity trend. Although it is not technically a luxury brand, the price point is towards the higher end of high street make-up brands, making this brand a bit of a luxury when financial times are hard.






Looking at some of the greats in graphic design, such as Herb Lubalin, it's easy to see why design austerity can be such a successful strategy for a brand.  He has been described as proving that "to be effective, all you need is a typeface and a good idea" (Adrian Shaughnessy), removing the need for all the excessive elements of design. Furthermore, it has been argued that because of a change in attitudes towards 'organic' and 'pure' products, (both of which are becoming increasingly important in the cosmetics industry), consumers now associate luxury products with packaging featuring quirky graphics, hand-written styles of text, less focus on colour, and more on texture. In times of austerity, brand loyalty is easily swayed. Packaging plays such a huge role in consumer decision making, and getting that right for your potential, (and existing), customers is paramount.

The power of the typeface. The development of the food wall, designed by Herb Lubalin and Tom Carnase for Lou Dorfsman, director of design at CBS in 1966.

Finally there's the argument that people will buy what people will buy, regardless of the economic situation, or trends in packaging. Suppose that with or without the pomp and ceremony of the golden YSL box that people would still buy the product because they "simply can't live without it", ask the majority of women who own Touche Éclat how many they have bought, and whether they pay that much attention to the packaging!

However we believe that, when a consumer is in the market for a new product, your packaging plays too much of a part in purchasing decisions to be ignored. Once that purchase becomes habit, packaging plays a lesser role. But surely you always want to be attracting new customers, so packaging always matters.

We'd love to hear your thoughts on this, how do you think the economy has affected luxury packaging, if at all? Are you more attracted to the 'shiny' or the quirky?

Sources of information:
http://www.packagingnews.co.uk/design/markets/a-quest-for-luxury-in-austere-times-markets-luxury-packaging/ 
http://www.printmag.com/interviews/designer-for-the-age-of-austerity-adrian-shaughnessy-on-herb-lubalins-life-and-work/  
http://www.jkrglobal.com/design-gazette/flapper-fabulous/#comments

Lucy's View: Social Media

Studio 'Research'

We hear about it everywhere, businesses should be making more effort on social media, in order to connect to their customers, and it's true, they should. We like to use our social media channels in order to let our network know about company updates, share things that we find interesting, and to shine a light into studio life.

Nowadays there are so many websites offering tips, e-books, white papers, you name it, all about how to run your social media channels, how to strategise, how to automate, create and curate. And a lot of it is contradictory.  I subscribe to tens of social media experts and 'gurus', and yes I find a lot of the advice useful, but some of it is far too confusing! Especially if you're just starting to expand your company's social media efforts.

To me, the idea of social media, is to be just that, social. While automation is great for regular features, and days out of the office, surely the point is that your presence on social media is to interact with your network. Ask questions, discuss the answers, post that quick snap of the 'research' going on in the studio (see picture). This enables you let people in to who you are as a company, and as individuals, and share experiences. Sharing is such an important part of social media. Don't be scared to share articles and pictures by others, they might do the same for you!

Of all the guides, tips and tricks I have read and picked up through developing my role in social media, I go back to my dissertation for the most valuable and simple advice. A pair of academics (Kaplan and Haenlein) broke the term social media into it's two components, quite simply 'social' and 'media', and offered five guidelines for each. As many of the gurus I follow suggest that you 'put your own spin' on curated content, I have decided to add my comments on the matter.

Social Media Guidelines from UbDStudio

We'd love to hear your feedback! Do you have any social media golden rules you abide by? Tweet us @ubd_studio.

What's the best thing since sliced bread? Well, sliced bread.

WARNING: This post may induce hunger!

It's National Bread Week, and to us in the studio, there is not much that beats a good sandwich. With that in mind we decided to have a look at some of the recent marketing campaigns in the bread industry.

But first, a few crumbs of information

- According to the Bakers Federation, 11 million loaves of bread are sold every day in the UK! Tweet this!

- 80% of all bread sold in the UK comes from large brands, e.g. Kingsmill, Warburtons and Hovis. Only 3% comes from craft and high street bakeries. The other 17% is made in store in supermarkets.

- On the continent, the tables are turned, the majority of bread consumed is produced by craft bakeries.

It's pretty clear that bread is big business here in the UK, and it is no surprise that some of the biggest bread manufacturers have used some creative marketing techniques over the years to ensure they stay firmly in our hearts, homes and stomachs!

122 years of Hovis



In 2008 Hovis released a TV advert that rivaled John Lewis' calibre of 'mini movie' style advertisements. By showing the most significant events in the UK over the last 122 years, the advert was able to grab the attention of bread lovers of all ages and backgrounds all over Britain.


Kingsmill becomes Queensmill

Bread fit for a Queen

2012 saw Great Britain celebrating the Queen's Diamond Jubilee, and no doubt there was many-a-sandwich to be had at the numerous street parties that took place up and down the country. Kingsmill decided to celebrate in it's own way by changing the name of the brand, to befit the current monarch more suitably, for a brief period of time.

The image that got crust lovers everywhere excited!

Warburtons' April Fool becomes a reality

Most recently, Warburtons released an image of an 'All-Ends' loaf as an April Fools prank. The campaign was supposed to end there, but over 1000 people took to social media to share their excitement for this 'product'. Due to the response, Warburtons have now produced a limited number of these crust-filled loaves and is sending them to their biggest crust enthusiasts.


Don't forget the local guys!

As exciting as a feature length advert, or a gimmick bread loaf is, it's important to remember your local bakers, who work hard every day to provide you with something special, such as that super crusty, yet soft in the middle baguette to slice up with your soup. Sometimes their greatest form of advertising is that fresh bread smell that catches you on your way past, and who can resist that? Via Vecchia in York, at the top of the Shambles, is a great example of this, and the bread is snapped up so quickly if you blink you'll miss it!

Still local to Yorkshire, but taking on the supermarkets with their bloomer, brown and seeded loaves are Jackson's Bakery, based in Hull. It's great to see Yorkshire on the national map for yet another great product!

So if you're a total bread-head, take advantage of National Bread Week and try something new! If you're just a fan of the humble slice, you could always consider doing something a bit creative, like this:

The ultimate geek toast!

We'd love to hear about your favourite bakeries, and about your favourite bread, tweet us @ubd_studio, or leave a comment below.
 




Source of Information:
http://www.bakersfederation.org.uk/index.php?option=com_content&view=article&id=116&Itemid=48
http://www.thedrum.com/news/2013/04/15/warburtons-responds-social-media-launching-all-ends-loaf

Creative Copyright- Facts, thoughts and opinions

So, you have an amazing logo / jingle / piece of art, or anything you've created really, and you want to use it, but you're scared people are going to copy it, what do you do? Having worked with a number of past and current clients, regarding their Intellectual Property, Trade mark and registered status, it got us thinking that people should know more. We've also seen several articles lately that highlight the dangers of not protecting your work and IP. It's a hot topic in the media and it's definitely worth you considering your options about building equity in your business.


Taking the confusion out of copyright

However, what you need to do to protect your work can be somewhat confusing. After quick glance at the IPO, (Intellectual Property Office), website it became clear that it's not a simple case of 'copyright':

- Copyright: protects arts including music, literary works, dance, artworks, layouts for books etc and recordings or broadcasts of any work (music etc.). A copyright protects any medium of a piece of work, meaning that it cannot be copied in any form. Although there is no official system for copyright, the IPO suggest either sending yourself a special delivery letter with the work inside, and leave it unopened, or lodging your work with a bank, (this is not legally binding, but would provide evidence in court). Note that copyrights only protect the actually work, not the thoughts or ideas behind it. You can display that you wish to copyright your work by adding the © symbol. It is also advised to include your name and the year from which you wish to protect your work. A piece of work may have more than one copyright attached to it. A great, yet complicated example of this can be found here, regarding the highly irritating, but super catchy 'Friday' by Rebecca Black.

- Trade marks: otherwise known as your brand. The IPO define a trade mark as "a sign which can distinguish your goods and services from those of your competitors...It can be for example words, logos or a combination of both." The only way to register a trade mark is with the IPO. Although you may have registered your company name with Companies House, you may not be able to use this in your trade mark, the IPO provide a lot more information on this issue here.

- Registered Design: according to the IPO, the legal definition of a design is "the appearance of the whole or part of a product resulting from the features of, in particular, the lines, contours, colours, shape, texture or materials of the product or ornamentation." In the graphic design and branding world, this type of protection is suitable for packaging, graphic symbols, and typefaces. Designs can only be registered with the IPO, in the same way trade marks can.

- Design Right: just like copyrights do not need to be registered, neither do design rights. However design rights only protect the 3D shape and configuration of a product, not the surface patterns or other 2-dimensional aspects of the product. The IPO recommends taking similar precautions to that when protecting your copyright, e.g. mailing yourself a copy of your design and leaving it sealed.

- Patent: a patent is specifically for new inventions and protects "how things work, what they do, how they do it, what they are made of and how they are made." Patents are granted under strict guidelines, information on which can be found on the IPO website here.

The IPO also provide information on other rights regarding intellectual property, these can be found here.

Lessons learned from Leather Bags

Whether its logos, patterns or actual products, copyright infringement is serious, and can be seriously damaging to the owner of a copyright. Take, for example, the case of The Cambridge Satchel Company. It would seem obvious to assume that the brand would face problems with counterfeit products coming from overseas, however it might surprise you to hear that the company's own suppliers were using Cambridge Satchel leather and putting their own labels on the bags under a different brand name! Furthermore, it was discovered that fake social network sites had been created for the company, causing confusion for customers; a deception technique known as 'cybersquatting'.


Cultivating, or capping, creativity?

In the UK, copyright protection can last upwards of 50 years, depending on the type of material being protected. There are arguments for and against this length of time. Some claim that long copyrights increase creativity by providing protection to the creator, which is becoming more of an issue with the ease of sharing in the current digital climate. However, the point has been raised that these extended periods of protection make it difficult to revive or protect older material, as it can be difficult to find the original copyright holder in order to gain permission to use the work. Others claim that nowadays copyright is only used to protect publishing companies / record labels, not the content creators themselves.
  
These arguments raise interesting points. However, we believe, especially in the case of the individual or the independent business, copyright is essential, and trademarking must be seriously considered. Both provide protection for you and your brand from your reputation being damaged by cybersquatting or other fraudulent activities. Protecting yourself now is a lot cheaper than a legal battle later!

So how safe are you?




Sources of Information:
http://www.lawlawlandblog.com/2011/04/copyright_battles_on_friday_fu.html
http://www.ipo.gov.uk/types/copy/c-about.htm
http://www.ipo.gov.uk/types/tm/t-about/t-whatis.htm
http://www.ipo.gov.uk/types/design/d-about/d-whatis.htm
http://www.ipo.gov.uk/types/design/d-about/d-designright.htm
http://www.ipo.gov.uk/types/patent/p-about/p-whatis.htm
http://www.ipo.gov.uk/types/otherprotect.htm
http://www.law.com/corporatecounsel/PubArticleCC.jsp?id=1202590116493&A_Handbag_Maker_Battles_Counterfeits_and_Copyright_Copycats
http://www.economist.com/node/15868004
http://www.ipo.gov.uk/types/tm/t-about/t-whatis/t-companies.htm
http://www.ipo.gov.uk/c-basicfacts.pdf

Business cards are big business! Part 1

Once again we've been trawling the internet for inspiration, and an image caught our attention. This time it's all about business cards:


Created with Admarket's flickrSLiDR.

Our personal favourite comes from Lego, we'd love to have Lego figures of us! Which is your favourite?

Your business card is the part of your brand that your potential customer / contact takes away with them. It's likely they have a whole wallet / folder of them, especially at a networking event. So how do you make sure it's you they are wanting to work with, rather than your competitor?

Getting everything you want to convey onto your business card is tough, so it's all to easy to put too much on there. Having the right balance is crucial. You don't want to overwhelm somone with a mass of information on a tiny piece of card, but nor do you want to leave them confused as to what you actually do, and more importantly, what you can do for them.
 
In some cases your name, a punchy strapline, and a phone number is all you need, in others an address, website, email address, and a Twitter handle may be more appropriate. Some even claim that your contact details are not even that important, with your company name there on the card, Google can fill in the blanks. Some people advise that you should only use one side of your business card, on the other you should leave space for people to write notes about you and your company. But we advise you at least put your logo on it, then no matter which way up your business card is, people know who it belongs to.

Nowadays it's not enough for a business card to stand out just visually. People appreciate business cards that feel, or even smell different! And there is no reason why your business card should adhere to a certain size and shape, your imagination is your only limit!

Do you have a business card that you feel stands out from the crowd? Tweet us a picture @ubd_studio!


Sources of information:
http://www.stickybranding.com/business-cards-make-a-statement/
http://www.steamfeed.com/your-business-card-is-your-first-impression/ 

World Book Day

We love to read! And that's why we're very excited that it's World Book Day! We also love the printed page which is a fantastic excuse to write a post.  Some of us are bigger bookworms than others, but we thought that we'd share with you what we are all reading at the moment:

Owen is a bit of a busy body and is currently reading three books at the same time! The books Owen is reading give you a brilliant insight into his personality. First of all, he likes to learn about, (and drink), beer, so it makes sense that he would be reading Beer School: Bottling Success at the Brooklyn Brewery. Owen also likes quirky and unusual things so there is no doubt why A History of the World in 100 Objects is right up his street. And finally, as you probably all know, Owen is a graphic designer, therefore his interest in the biography of legend Herb Lubalin, an American designer, is pretty obvious.

Lucy is a big bookworm, she is reading two books at the moment. Because she got so many books for Christmas, (including the Game of Thrones boxset!), she has only just got around to reading Life of Pi, and is refusing to watch the film until she has completed the book! She is also reading The Power, a book about the power of positive thinking.

Annabel and Ross are, quite sensibly, only reading one book each at the moment. Annabel is currently reading The Great Gatsby and Ross is reading a book by Stefan Sagmeister.

A picture is worth a thousand words...

Of course a story couldnt be a story without a great narrative, but sometimes you need something more, and that's where illustration takes over. We have worked with some very talented illustrators over the years, especially in the last few weeks on the Doodle Day posts. Below is a great video from the World Book Day website, featuring Chris Riddell and Paul Stewart, an illustrator and a writer, who work together to create fantasy worlds and creatures. They way they work is quite fascinating.


Storycraft, Chris Riddell, Paul Stewart from World Book Day on Vimeo.

Did you know World Book Day is celebrated in over 100 countries, and that the event is now in it's 16th year?! And although the World Book Day is specifically aimed at children, we think you're never too old, or too young to enjoy a good book.

Are you celebrating World Book Day? Or are you enjoying a really good book at the moment? Give us a tweet @ubd_studio.