Kanye West uses unconventional marketing to promote "New Slaves"

Were you in a big city over the weekend? Did you manage to see a projection of Kanye West's face onto a building near you?



"New Slaves" is the first official song to be revealed off the artist's latest studio album, expected to be released on June 18th. To help fans find the projections, kanyewest.com has been turned into an interactive map highlighting the times and locations of the 'performances'.

Artwork for Kanye West's upcoming album, 'Yeezus'.

Speculation and hype about the upcoming release of the album has been fuelled by this Instagram posted by Kim Kardashian, released before Kanye appeared on Saturday Night Live, (18th May), to perform.

Is this the way marketing is going now, bigger and bolder? And more importantly integrated? It's one thing to set up your website to promote the launch of a new product, in this case an album, but it's another to use your website as some sort of 'treasure map' directing your customers to another form of marketing. Plus the use of Instagram to promote the album artwork just before a live performance is a very clever and free way to get news out to the masses, and to start to cause a stir.

Moreover, Kanye West must have a lot of faith in his personal brand, the projections don't feature any gimmicks, logos, or any other branding apart from Kanye himself. Whether you like him or not, you have to admit his methods of self promotion definitely stand out from the crowd. 

UbD must see: Fast & Furious 6

Friday saw the release of Fast and Furious 6, the latest offering from the Fast and the Furious series, and it's got most of us here in the studio pretty excited, especially since we found out Vin Diesel does a lot of the stunts himself!

Most of us were still in school when the first film, 'The Fast and The Furious', was released in 2001. Since then the series has provided us with over a decade of action, consisting of 6 full length movies, a couple of spin off short films, AND the promise of Fast & Furious 7 to be released next year! We're already looking forward to it, and we haven't even seen number 6 yet! 

One of the customised cars featured in the Fast and the Furious series.

Just as we have grown up, the Fast and the Furious films have somewhat switched their focus to move with the times. The earlier films touched on the culture of street racing which, although illegal, was a way of life that racers could not live without. Car customisation also played a large part, and was portrayed as an art-form, highlighting that to earn credibility in this culture, it is important to produce something beautiful, as well as engineer something high performance. This is something that applies in our industry as well! Now, from the later films, we expect fast-paced crime-packed action thrillers, and by the looks of the trailer, Fast & Furious 6 is not going to disappoint. We're organising a cinema trip ASAP!

Have you managed to see Fast & Furious 6 yet? Or are you heading out to see it soon? Let us know what you think.

Owen's View: No more Gnomes!

The not-so-friendly garden Gnome.

Something sinister is lurking in our gardens as summer is drawing closer and IKEA is challenging us to fight back.







With its dramatic music, and numerous cinematic references, we think the new advert from IKEA is great! Created by Mother (London), the campaign captures an all out turf war between a family and their garden gnomes, who are getting the boot to be replaced by IKEA's modern and stylish garden furniture.



Film buffs will notice the hints of 'Platoon' and 'Apocalypse Now', and music lovers should appreciate the orchestral cover of Mötley Crüe's 'Time for Change', performed by The Palace of Budapest Philharmonic Orchestra and The Heritage Singers. All that said, the plight of the Gnomes has lead to some backlash towards the advert, regarding the level of violence towards the garden dwellers, one critic even stated:

"The advert seems to express the worst excesses of imperialistic bombast. Encouraging people to laugh at creatures being thrown out of their homes and blown to pieces is extremely sinister in my book."

A still from the advert.

The 'Platoon' scene.

 In our opinion it's the Gnomes themselves that are sinister, in our book they are similar to clowns, and they can be a bit creepy too! IKEA and Mother are right when they say Gnomes are "tired, old fashioned and uninspired", we're sure there is a place in the world for the Gnome community, but nowadays that's not in our gardens.

The 'Apocalypse Now' scene.

Currently, as a family going through the green fingered challenge of taking on a front and back garden that have not been tendered since the late 1950's, the advert resonates. Trying to take aspects of the 'inherited' garden, yet bring our personality to our home, and at the same time add value to the property, means finding a balance is hard, but one thing is for sure, there will be no Gnomes in the garden. That's not to say there won't be one in the house...

'Deadly'- The Firetrap Gnome.

Meet Deadly, some of you may recognise him as the Firetrap Gnome, who has been featuring in marketing campaigns for Firetrap since 2004. We have one of these sat on our mantel piece. He is a cool Gnome, he's ditched the red hat and moved forward with the times, something which IKEA is encouraging the family in this advert, and the nation, to do.

IKEA have always been about moving forward, pushing the boundaries and using big and dramatic stunts to wow consumers. We've found our favourite promotional stunts from IKEA branches all over the world. 


Created with Admarket's flickrSLiDR.

What do you think of the new advert? And, possibly more importantly, what do you think of Gnomes?

Annabel's View: The over use of Gill Sans

Variations of Gill Sans

The use of the font Gill Sans divides designers' opinions everywhere.

Personally I find it everywhere I go and therefore think we, as designers, have saturated the world in it, and the world (and I) can't take any more.


 






Where did it come from?
Gill Sans started as a signage font, that Eric Gill painted onto his friend's, Douglas Cleverdon's, bookshop front. He also painted a guide for Cleverdon to use the font in further designs.

Then, in 1928, Eric Gill was commissioned by Monotype Corporation to design Gill Sans. In 1929, Cecil Dandridge commissioned a further version for use by the London and North Eastern Railway (LNER), so they would have a unique typeface. Of course this is not longer the case.

Where is it used?
Monotype themselves used Gill Sans for their own logo, and over the years many iconic designs and well-known companies have adopted the font for their brand or for their published materials. Of those, notably are the BBC, Penguin's book circa 1935, Network Rail, United Colors of Beneton, Tommy Hilfiger, Saab and Philips, and another pet hate of mine, the 'Keep Calm and Carry On' posters.


Created with Admarket's flickrSLiDR.

Other than these, I'm sure as you look around on you on a day to day basis, you may spot Gill Sans everywhere.

Why is it used so commonly?

One of the many uses of Gill Sans

In 1991 Microsoft bought the digitised data copyright for Gill Sans MT, and it became a system font, then a new trend. Since then it has been used prolifically by designers around the world.

My conclusion
Because it saturated our world in the 90s and early 00s my mind can't help but think it feels over-used and old-fashioned now.

We have so many exquisite fonts that we can use, many of Monotype's other fonts are wonderful for both layout and logos. Why don't we update our font collections every now and then, have a spring clean and acquire something new and beautiful and enjoy using something new.

Failing that, there's always Helvetica and Garamond.

Is austerity the new luxury?

An example of the austerity trend from
local jewellery brand, Twopenny Lane.

The financial climate is still tough, and the trends in the economy have been reflected in trends within the packaging industry. Design has been stripped back, muted and simplified, initially to reduce cost in packaging production, but it appears now this has become accepted as 'trendy', but why? Because we think it sits well our price sensitive audience, or conversely, because we think it's the new sign of luxury?








As with everything, there are several sides to this debate. First let's assume that we are designing with the cash strapped economy in mind. Let's suggest that gold still means luxurious and that

Benefit's 'Great Gatsby' inspired collection.

flamboyancy is the way to sell luxury products. Look at The Great Gatsby for example. The Guardian hit the nail on the head when they said that Baz Luhrmann's latest offering is "celebrating opulence". The jewellery for the film was designed by Tiffany, the costumes by Prada, everything about the film screams luxury, and some companies are riding on that wave. Take Benefit cosmetics and their 1920's-inspired limited edition packaging. The luxury cosmetics industry never ditched their metallic, intricately designed boxes, velvet covers and superfluous layers of packaging, for butchers twine and a brown paper bag, yet they are still selling products by the bucket load. They know their products have value and people will pay for it. Fact. So with that said, luxury is the new luxury.

The new Leona Lewis collection from The Body Shop.

So now let's look at another side of the argument. This might be a little controversial, but are we the only ones who think that some of the Benefit packaging looks a little cheap? When you compare it to a brand like The Bodyshop, who have stripped their packaging right back to allow the product to take centre stage, Benefit's packaging just looks a bit much. The Bodyshop have not lost their personality by being more reserved with their designs, they have simply aligned themselves with the austerity trend. Although it is not technically a luxury brand, the price point is towards the higher end of high street make-up brands, making this brand a bit of a luxury when financial times are hard.






Looking at some of the greats in graphic design, such as Herb Lubalin, it's easy to see why design austerity can be such a successful strategy for a brand.  He has been described as proving that "to be effective, all you need is a typeface and a good idea" (Adrian Shaughnessy), removing the need for all the excessive elements of design. Furthermore, it has been argued that because of a change in attitudes towards 'organic' and 'pure' products, (both of which are becoming increasingly important in the cosmetics industry), consumers now associate luxury products with packaging featuring quirky graphics, hand-written styles of text, less focus on colour, and more on texture. In times of austerity, brand loyalty is easily swayed. Packaging plays such a huge role in consumer decision making, and getting that right for your potential, (and existing), customers is paramount.

The power of the typeface. The development of the food wall, designed by Herb Lubalin and Tom Carnase for Lou Dorfsman, director of design at CBS in 1966.

Finally there's the argument that people will buy what people will buy, regardless of the economic situation, or trends in packaging. Suppose that with or without the pomp and ceremony of the golden YSL box that people would still buy the product because they "simply can't live without it", ask the majority of women who own Touche Éclat how many they have bought, and whether they pay that much attention to the packaging!

However we believe that, when a consumer is in the market for a new product, your packaging plays too much of a part in purchasing decisions to be ignored. Once that purchase becomes habit, packaging plays a lesser role. But surely you always want to be attracting new customers, so packaging always matters.

We'd love to hear your thoughts on this, how do you think the economy has affected luxury packaging, if at all? Are you more attracted to the 'shiny' or the quirky?

Sources of information:
http://www.packagingnews.co.uk/design/markets/a-quest-for-luxury-in-austere-times-markets-luxury-packaging/ 
http://www.printmag.com/interviews/designer-for-the-age-of-austerity-adrian-shaughnessy-on-herb-lubalins-life-and-work/  
http://www.jkrglobal.com/design-gazette/flapper-fabulous/#comments

Lucy's View: Social Media

Studio 'Research'

We hear about it everywhere, businesses should be making more effort on social media, in order to connect to their customers, and it's true, they should. We like to use our social media channels in order to let our network know about company updates, share things that we find interesting, and to shine a light into studio life.

Nowadays there are so many websites offering tips, e-books, white papers, you name it, all about how to run your social media channels, how to strategise, how to automate, create and curate. And a lot of it is contradictory.  I subscribe to tens of social media experts and 'gurus', and yes I find a lot of the advice useful, but some of it is far too confusing! Especially if you're just starting to expand your company's social media efforts.

To me, the idea of social media, is to be just that, social. While automation is great for regular features, and days out of the office, surely the point is that your presence on social media is to interact with your network. Ask questions, discuss the answers, post that quick snap of the 'research' going on in the studio (see picture). This enables you let people in to who you are as a company, and as individuals, and share experiences. Sharing is such an important part of social media. Don't be scared to share articles and pictures by others, they might do the same for you!

Of all the guides, tips and tricks I have read and picked up through developing my role in social media, I go back to my dissertation for the most valuable and simple advice. A pair of academics (Kaplan and Haenlein) broke the term social media into it's two components, quite simply 'social' and 'media', and offered five guidelines for each. As many of the gurus I follow suggest that you 'put your own spin' on curated content, I have decided to add my comments on the matter.

Social Media Guidelines from UbDStudio

We'd love to hear your feedback! Do you have any social media golden rules you abide by? Tweet us @ubd_studio.

What's the best thing since sliced bread? Well, sliced bread.

WARNING: This post may induce hunger!

It's National Bread Week, and to us in the studio, there is not much that beats a good sandwich. With that in mind we decided to have a look at some of the recent marketing campaigns in the bread industry.

But first, a few crumbs of information

- According to the Bakers Federation, 11 million loaves of bread are sold every day in the UK! Tweet this!

- 80% of all bread sold in the UK comes from large brands, e.g. Kingsmill, Warburtons and Hovis. Only 3% comes from craft and high street bakeries. The other 17% is made in store in supermarkets.

- On the continent, the tables are turned, the majority of bread consumed is produced by craft bakeries.

It's pretty clear that bread is big business here in the UK, and it is no surprise that some of the biggest bread manufacturers have used some creative marketing techniques over the years to ensure they stay firmly in our hearts, homes and stomachs!

122 years of Hovis



In 2008 Hovis released a TV advert that rivaled John Lewis' calibre of 'mini movie' style advertisements. By showing the most significant events in the UK over the last 122 years, the advert was able to grab the attention of bread lovers of all ages and backgrounds all over Britain.


Kingsmill becomes Queensmill

Bread fit for a Queen

2012 saw Great Britain celebrating the Queen's Diamond Jubilee, and no doubt there was many-a-sandwich to be had at the numerous street parties that took place up and down the country. Kingsmill decided to celebrate in it's own way by changing the name of the brand, to befit the current monarch more suitably, for a brief period of time.

The image that got crust lovers everywhere excited!

Warburtons' April Fool becomes a reality

Most recently, Warburtons released an image of an 'All-Ends' loaf as an April Fools prank. The campaign was supposed to end there, but over 1000 people took to social media to share their excitement for this 'product'. Due to the response, Warburtons have now produced a limited number of these crust-filled loaves and is sending them to their biggest crust enthusiasts.


Don't forget the local guys!

As exciting as a feature length advert, or a gimmick bread loaf is, it's important to remember your local bakers, who work hard every day to provide you with something special, such as that super crusty, yet soft in the middle baguette to slice up with your soup. Sometimes their greatest form of advertising is that fresh bread smell that catches you on your way past, and who can resist that? Via Vecchia in York, at the top of the Shambles, is a great example of this, and the bread is snapped up so quickly if you blink you'll miss it!

Still local to Yorkshire, but taking on the supermarkets with their bloomer, brown and seeded loaves are Jackson's Bakery, based in Hull. It's great to see Yorkshire on the national map for yet another great product!

So if you're a total bread-head, take advantage of National Bread Week and try something new! If you're just a fan of the humble slice, you could always consider doing something a bit creative, like this:

The ultimate geek toast!

We'd love to hear about your favourite bakeries, and about your favourite bread, tweet us @ubd_studio, or leave a comment below.
 




Source of Information:
http://www.bakersfederation.org.uk/index.php?option=com_content&view=article&id=116&Itemid=48
http://www.thedrum.com/news/2013/04/15/warburtons-responds-social-media-launching-all-ends-loaf